the >midnight peopleö< 12inch includes two careening techno remixes by technasia, in which the paris-based producer sends the track spinning into the delirious, club-amped stratosphere. >technasia dub 1< features a series of head-spinning climaxes, >technasia dub 2< specializes in shoulder-rolling syncopation

the heat of summer into an urban canyons night of fresh air. in berlin. or manchester. maybe in budapest even. it is warm, but not that close and hot anymore. a soft wind blows through the leaves and ripples the surface of the small puddles the rain left on the streets. with relaxed enthusiasm a man walks up to his house where he will decant a well-tempered sangiovese while waiting for the woman with whom he will chat till dawn.
with three reworkings of one of their tracks from the full-length album >13<, the trio from manchester conjures such an atmosphere on their vinyl release on binemusic, inviting you to (day-)dream or relaxedly bob across the dancefloor. and maybe even bear the waiting time while stuck in traffic.

who wouldnt want to be kept by a beautiful rich woman? no matter how you look at it, its not the worst way to make a living. in 1982 the german new wave quartet ideal even wrote a song about it. >schoene frau mit geld< is thestory of a young man without any other drive or desire in life than to find such a woman and turn this state of utopia into reality. tough goal! twenty-eight years later, one of germanys finest and merited producers decided to do afresh interpretation of the song. sir losoul of playhouse fame presents two mixes (a dub for the faint of heart) that hone the hook and tag line of the original for maximum dance floor and repeated listening pleasure. and that, ladiesand gentlemen, is sometimes really the only thing you need in the world…

features 2 new tracks, crunch and munch & master blaster. diz & fiasco totally work out the doubledownin chicago vibe with their signature beats, swinginging basslines and badass mix moves. master blaster jacks with loads of peak time energy kickin from the top, smoothing out in the middle with some soulful keys as the whole thing builds up into a beefy bumpin ride. crunch features some groovy, techy atmospherics and compliments the the flip perfectly.

vinyl lover, nice fellow and house-music finest enzo elia used to be a rasta, for six years! those memories are back into his new house12 inch on hell yeah: proper big room deep dubby house action. it includes a magic, rare, absolutely worth checking extra-dub version by e-the-hot: welcome back!!

bad chemistry is already on its 3rd release and none other then spktrm is on the case to break a new kind of branch to the bad chemistry sound. anomalous singularity is deep, broken and darker then the cave it was made in, rattling drumfunk esque patterns immerse out of the dark pits sucking you into brand new territories, f.w.c. is totally different, staying true to his roots spktrm goes in with guns blazing. hyped up kick & snare switches make sure this one will go down with the core posse with ease!

support by: reboot, audiofly, dj t., michel cleis, gel abril, brothers vibe, ekkohaus, phil weeks, luca bacchetti, daniel dreier, toni rios, andre crom & many more ... bomb alert! for >bad habit< affkt and samuel dan get to work on one of the biggest vocals of house music, turning it into a pure underground club anthem. if youre not dancing to this you re dead. on the flipside they give a showcase of their much deeper side with the jazzy discoish playful piano madness on germinia, and the relaxed summerish deep groovetool that >forlyn< is. and if youre up for some real oldschool madness in early 80ies hiphop style, try the vocal version of germinia. altogether a very diverse release that shows a stunning combination of clubfocus and musical skills...!

siula grande is another needwant dancefloor friendly release with two great remixes from pete herbert and burnski to back two innovative originals. title track >siula grande< grips the floor with a hypnotic house groove and dark rave bassline, capturing the raw energy of early classics as well as the complexity of modern production skills and buoyancy of current house music. piano led melodies lead into enveloping breakdowns and result in a true dancefloor weapon. pete herbert is renowned for knowing what the dancefloor want. on his rework of >siula grande<, he highlights that groove that makes the original such a stand out track, and adds a nineties inspired piano and guitar lick - lifting the track to new heights. >for all time< is a 9-minute workout of deep slo mo funk inspired melody. lazy beats dance on a backdrop of embracing sounds producing an evolving journey into space and time. on the remix burnski, one of a new school of profilic house producers, injects the depth of house music and energy of modern techno, focusing purely on the groove in his >time to go dub<...

430 west records embarks on an epic journey revisiting classic tracks from its 20 year history with 2010 reworkings. first in the series are remixes of octave ones seminal techno track >meridian< and their absolute floor killer >dema<. both tracks were exclusively reworked for their present >20 years into the future< tour and have already moved crowds all through europe, singapore, and north america. a must have for fans of funky techno

the wise-woman clarissa is a figment escaped from the imaginations of andreaferlin and matteo spedicati. from her home at the very edge of the world, clarissa is master and maker of psycedelic rituals, orgiastic ceremonies and liberating chants. according to tradition, the encounter between the hazel duo occurs in the sand amongstthe looping, grooving sounds of a nearby dancefloor where music of such strong forces,sometimes tribal, sometimes psychedelic, compelling mortals into a gruelling dance thatfrees them evermore from sleep. first ep on sleep is commercial for clarissa hazel duo. face also sign the first appereance on sic of our friend ues.

everybody loves summer & house music, and of course so do we! these four tracks by our italian and spanish friends have already been hammered on various open air floors by the usual suspects, and especially marco effe s track chesley had people running up into the dj-booth trying to find out what it is. well, today we finally have the answer.
but also romano and luca, who both have made a name for themselves with releases on break new soil as well as various other imprints are showing why they are two of the keyplayers of modern house-music from italy. and last but not least danny serrano & hector coutu deliver a classic groove monster that will bring new boosts of energy to preparties, prime-time sets and after-hour dancefloors as well.

soulful downbeats by m.u.g and stella, remixed by the popular peoples front.

ig room ibiza vibes abound on this killer ep from solead, the parisian duo who have provided metroline with some of the labels most outstanding releases. in musica, tumbling beats and a melange of cuban pianos, horns and flutes play over a very robust rhythms to create an atmospheric big room builder.

guti on a2 is the south american talent enjoying a recent boom with his post-tribal, neo-minimal grooves. he remixes >perfect stranger< into a roaring percussive journey, full of tumbling congas, dramatic fills and fx. its a heady, psychedelic mix for thelater hours!

supplement facts records continue their rich run of form by handing a label debut to detroit-native lee curtiss. the >and we all fall down< ep has been one of the most hotly anticipated from the israeli label and is set to become the soundtrack to the last echoes of summer. we continue to dance, as the days grow short our nights become longer and lees ep is the perfect accompaniment….>i can hear you arthur<, a tribute to one of lees long-time music heroes, arthur russell, is an emotional escape. with russell being a direct sound-inspiration for the release, we are treated to a longing for a far away love. with waves of sound that build and cascade, accompanied by pillow-talk whisperings, all creating eight minutes of rhythmic, warm grooves. arthur never sounded better. after the body-swaying vibes of the a, side b brings the perspirec-electronic throb and hip-grinding action of labor of love. after yearning for arthur, we are more than appeased with the beautifully sultry and ever so intimate vocals of stephanie selvaggio. with its rhythmic guitar opening belying its true intention, labor of love develops into a sensual dancefloor cut with stephanies vocals floating effortlessly with the acidic beats as she drives us ‚crazy, and we all fall down is a perfect example of an artist at his most vunerable. its brutally honest sound invites the listener in with open arms and wraps itself around them like a warm cashmere blanket. as the brutal realisation that summer is almost over starts to sink in…its worth taking comfort in records like this, that make the transition that much easier.

one year later the label panacustica delivers a slamming second twelve inch rats mother followed by a brilliant prins thomas remix, plus a detroit inspired instrumental by stay gold, argentoÆs alter ego. the record opens with a dreamy version where a plucked string intro and rats voice drive you into a deep, cinematic, adult dance groove. this laid back, psychedelic track flows well beyond your usual dance floor act into eno-esque territories. prins thomass mix is faster, happier and jumpier. its an amazing balearic trip with a live warm feel to it in which a guitar plays along the melody, accentuating the spaced out feel of the track, lifting it into higher states. stay gold gives the listeners a techno version where sparse, mechanical drums and a minimized melody take us to the motor city (citta dei motori) for a night drive in the dark. own it, feel it, play it loud.

mark du mosch delivers a classic ep with four very different, but ultimately essential tracks. titletrack >bareknuckle< has _anthem_ written all over it. warm, but pumping techno with a hint of disco and a hook that is simply killing. with the raw, dark technoelectro sound of >monolulu< and >mice vs cat< mark du mosch dives into dusty, pounding cellar soundsystems. >machine lives< takes it in true sd style to an unexpected experimental level with not to miss.

detroit artist jason fine is back with a follow up to his critically acclaimed future thought album. the master of the introspective and personal techno sound gives us another killer release, once again transforming daily life experience into beautiful and moving deep techno and house. jason fine continues to play around with layered melodies and harmony mixed with raw and funky drum programming. the ep opens with the track orange, a beautiful monotone organ based techno track, revealing hard times. violet continues in the same vein. blue melodies play around over minor organ chords and heavy kick drum. on the inner tracks blue and red jason with confidence moves into the electro territory, still keeping emotion and atmosphere up front. even though the concept behind this ep is the full color spectrum, the mood is all over blue.

eddie c comes from canada and has been enjoying house music since 1987. his refreshingly old school approach has led to some mighty fine releases over the past few years on jisco music, 7 inches of love, flashback, wolf music, need want, sleazy beats, kolour and many other top imprints earning him a well deserved and growing reputation as a top producer and dj. for his debut release on home taping he kicks things off in trademark style with the sample driven, moody groover ætell meÆ. next up he flicks the switch and whips up a stompinÆ house workout on the get-down-and-sweaty warehouse grooves of æorganizedÆ. on the flip, rising aussie house maestro tornado wallace takes ætell meÆ one step deeper into basement territory and works it into an epic nu school refix. and finally, a cheeky vinyl only hidden track ædub up the editÆ provides an essential dj tool. 100% house music from two producers on top of their game.

droid hit maker david flores aka audio injection has become one of the west coasts most prolific techno producers in 2010 with releases on timefog, enemy, subsensory, 4track, impact mechanics, droid recordings, and an upcoming remix with production partner drumcell on clr. well known for his collab work with drumcell, audio injection comes into his own on droid 10 with a remix by luis flores.

boka records hit release number 30 and they have delved deep into the dubstep archives on this one. innasekts >cluster< has been around on dubplate for well over a year now with the dubstep heads still demading its release, its finally here! this one packs a punch, ultra deep and heavy basslines with innasekts signature technological atmospheres. backed with their remix of sumones (planet mu) track >zombie<, a voyage into deep and atmospheric drumstep. its been a while since innasekts releases on rottun recordings and the rumour is this could be their final release under this name. dj support coming from the likes of scuba, faib, bunzer0, matt-u, moldy & truth.

>even though youre with another girl< is the amazing second single to be taken from trentemoellers stunning new album >into the great wide yonder<. after the huge reaction to the beautiful longplayer, which mixes classic trentemoeller production mastery with more of an analogue, song based, indie-feel, its time to carry on with this intriguing set of remixes.

after the success of >slow burn< as well as the licensing of >dirt< to mr. ben klocks berghain mix compilation, echologist returns with another slice of psychedelic dub techno with remixes by frances techno king terence fixmer and arguably moscows finest producer, anton zap. the original mix is a slowly builds into a blaze of cavernous chord changes and a 4/4 groove powered by an unelenting sub bass. the distinctive sound of this track is what seperates echologist from all the other dub techno composers out there. terence fixmer takes the elements and transforms them into his signature techno workout that packs as much punch as it does finesse while anton zap strips things down and builds a super spacious hypnotic house groove that has become a trademark of his ethereal sound. all round another essential release from echologist.

australian producer philip mcgarva aka microworld is well known for his releases on transmat and styrax, both of which instantly became sought-after techno classics. dutch label adepth audio is proud to present microworlds new >time before techno< ep, with the title track another classic in the making.
microworlds signature is clearly evident throughout - the slow smooth build-up, with every new sound revealing extra dimensions within the music. definitely an after hours track that will go straight to your soul. the second track >ism< is a minimal but effective rhythm, a driving bassline, a catchy synthesizer and vocal sample that will stick in your head. canadian producer arthur oskan chose to remix >ism< and rebuild it into a pulsating 9 minute club track overflowing with warm synthesizers.

do you have a dream? well, it might just be all wrapped up into this 4 chunky track burner by marko nastic that move into deep tech - techno territory with remixes that add to charm by sinisa tamamovic and mladen tomic. close your eyes to the energetic tech beat, and loose yourself within the movement of eloquent drum kicks and cosmic waves of fresh sounds and vocals.

velvet: a great techno classic gets the full c series overhaul. bang up to date and a perfect floor filling package. tribal percussion rattles along with a speaker throbbing bassline which drops seamlessly into that well known synth from the original. the main lead is then tinkered, wrapped around, and flipped to breathe new life and give us a new shade of velvet. intergalactic:doesnt need much of an introduction, the title pretty much gives it away. the beastie boys go techno! another dance floor smash and grab here beastie style. vocals used effectively.. not too much not too little but with the fused with the rest of the track it brings out so much energy, the percussion, the toms in the background, the stabs throughout the track makes everyone in the room jump!

for his third release on dont be afraid semtek brings a rolling acid house vibe with remixes from neville watson, justin harris and isa gt.
the original builds from trademark uk bleeps and analogue drums into a wigged out discoid groove. neville watson takes you far up into the aether with a hypnotic hymn to the night, justin harris produces a dark and driving techno dub, and isa gt refashions an early semtek track >key< into a bara house banger equally at home in croydon as in her native columbia.

figure mainstays dimi angélis & jeroen search return with their next deep flowing 4 track ep for figure spc. the sub-label of len fakis impressive imprint, spc stands for quality, wide-ranging productions from some of the worlds most creative electronic musicians. launching headfirst into the classic-flavoured drum patterns of >generator<, we remember just what a magic touch this pair has. characteristic, impeccable production, rich, gorgeous analog subtleties and unstoppable machine funk. this is a mind-twisting passage for creative djs during urgent moments!

massive decks.de tipp!!! this is going to be one of the big summerbombs this year ! guido schneider & jens bond sticked together for this production. they created a driving techhouse tune, wich keeps you on the dancefloor because of its fabulous mixture of groove and hypnotic vocals. on the flip, we have a tiefschwarz remix, which is more into minimal. they created a new feeling by changing the vocals into something different and reducing the beats.

new kanada is honored to have the awesome murr (aka nicholas murray) take the reins on the next release. dusty drums, worn-out pads and a deep respect for the early beatsmiths, nick always creates an atmosphere in his tracks that is definitely not the flavor of the month - but rather the taste of the year. on the a-side, >noise in< is a tough dusty jacker, that builds from a tight dub intoa shimmering melodic bomb. feels like early transmat, late gherkin, or an americanized lfo. shuffle, simmer, and slam. the second cut on the a-side, >broken glass<, is a slamming ode to the sp1200. beats swung hard, percussion rattling the kilter way off, and a suffocating groove. watch out - the shards are sharp. on the b-side, marshall reshapes the original >noise in< into a brutal example of a tough mixing tool. heavy, pulsing basslines and an incessant jack groove. this one should move the floor. red, yellow and orange. rockit!

finally, the live virtuoso olene kadar is back again with release #4 on his homebase mos ferry! not only the really massive kick makes the a-side >deal< a true stomper, that might put a smile on every detroit fans face also a guy called gerald would be thrilled! kadar uses common sounds and styles to stack his own unconventional sound-building - his own >house<. driving is probably the adjective that can express most accurately what constitutes the eight and a half minutes track with its funky organ chords. the b-side >sot:2< contains an equally virtuoso ass-shaker. somewhere between industrial aesthetics of the reverberated snare and the indefinable squawking sound its elements combine into a multi-dimensional piece of >club therapy< full of extremes. the unity of groovy kick and bass constitutes a high contrast to the vast extending percussion that moves at times in dramatic and absurd dimensions. approaching the drop, the almost out of control snare rolls and percussion drown any crowd in their own sweat dripping from the ceiling.

sascha dive has been successful both as a producer, and as a dj. when you talk with him about club music, and in particular house music, you almost get the impression of talking to a human encyclopaedia. his expert knowledge combined with his definition of contemporary club tunes makes his sets a unique experience. he takes the audience on a trip towards the future and the past, and at the end of the night gently back into the here and now again.

hear all the music: in comfort and style headphones that could reproduce the true dynamics of today’s music were a rarity—until the legendary beats™ studio™ hit the scene. now, a new headphone in the beats tradition, beats solo.™ brings you amazing sound in a smaller, lighter on-ear design. with beats solo, you’ll hear every sonic detail the musicians and recording engineers laid down in the studio. deep bass. hard hitting drums. bold midrange. and clean, undistorted highs. all in a comfortable fit you can wear for hours.perfect while on the move solos are compact and incredibly lightweight and ready for your active lifestyle, gym work out, or frequent travel. the tri-fold design allows solos to fit into the included compact carrying case. with beats solos getting a great music experience has never been easier.controltalk: the ultimate in ipod control and hands free calling with the built-in controltalk remote on the beats solo™ headphone cable, you get on-cable control of your music, as well as easy, high quality hands-free calling. you’ll enjoy quick-access music playback control, like volume, play/pause and tracking, without having to dig for your ipod. plus, the high-grade mic and high-resolution, sound-isolating headphones all combine to let you hear and be heard much more clearly—and conveniently—than you ever could with the phone to your ear.a natural fit with solos, you feel the music, not the headphones. plush, on-ear cushions comfort your ears and form an acoustic seal that keeps the sound in and noise out. remote and mic supported by ipod® nano (4th/5th gen), classic (120gb), touch (2nd gen), iphone 3gs and newer, but not all blackberry. remote supported by ipod shuffle (3rd gen). requires software v. 1.0.3 for ipod nano (4th/5th gen), 2.0.1 for classic (120gb), and 2.2 or later for touch (2nd gen). support for blackberry varies by model.

skudge make their machine music the old way. they channel these processes into their heavyweight dub sound. the results seem to be working ... another colossal 12 inch

skudge make their machine music the old way. they channel these processes into their heavyweight dub sound. the results seem to be working ... another colossal 12 inch

the producer team solan yields an ideal division into compartments. when studio producer stefan klauck and dj denis reinhardt met in front of a mixing desk in 2007, it was an ideal combination of different experiences: the one who has produced various music styles from downbeat to electro, the other a dedicated follower of house who never wanted to hide his knack for soul and disco. the two of them soon found a common denominator.the project solan has by now crafted tracks which embrace the qualities of newer deep house productions and classical house music, that is reminiscent of a traditional u.s. sound.

imagine >din da da<, martin circus and bostich all wrapped up into one long play club slammer! kenny dope strikes again with this flawless mixed tune. ken seamlessly connects these three classics and adds a hard pounding batucada house beat over them that makes this the record that everyone who is anyone will pound.

rhythm is a dancer by snap - one of the tophits from 1992 is dancing into the year 2010. ministry of sound brings this classic back to the present with new and fresh sounds. the remixes of armand van helden and jens kindervater are a must on all dance floors this year. remember to the nineties with the sound of tomorrow

hypnotize to mesmerize. thatÆs always been mark eÆs thing. enjoying a sterling reputation as an editor as well as establishing his own label merc with a string of well made 12inches and two dope compilations, the man from birmingham complements our little label again with some original productions. starting with out with nobody else, mark puts love on top of love. unfortunately for you - and good for us - you have to fetch a second copy to go back and forth with the weighty bonus beats. flip side: the wolf is a murky trip into classic cavernous house music with a bottom-heavy ruffneck sound and an attention drawing siren. that alarm bell is also included in a minute-long extra fx section and for those that cannot get enough, seeks and ye shall find a locked-groove. people who like to carry their record collection around on a hard-drive, will also be pleased to know that there is an additional track to be found on the digital release (no locked grooves there, were afraid). its a contemplative force called stoneleigh express. e is for earthquake!

straight from cologne, we proudly debut with our first release on technology gap 001, with some deep as its gets straight up house music acompaning your personal summer madness. anyone wondering what oliver kochs breitbandkater projects all about need only turn to the eps opening cut, >warm and wet<, wherein the cologne-based producer proclaims, >i want the best for you / so everything i do / is house music.< yep, technology gap 001 is house music all right, and a particularly fine sampling of it too. the aforementioned >warm and wet< immediately declares itself an ep high point the moment its thumping bass pulse kicks in. sleekly designed, the cut begins with a tight minimal swing that swells into a jacking house fireball while serving up six minutes of chunky chords and cracking snares. the second track, >wonder why<, tips the balance in a slightly more soulful deep house direction when monojoe spreads an exuberant vocal ove r breitbandkaters lush backing. warm chords and a sweetly grooving pulse provide a soft cushion for some old-school cymbal patterns and a radiant synth hook in the smooth stormer. adopting a slightly more atmospheric approach, with house group of the hour, morning factory winds up the ep with a trippy remix of >warm and wet< which finds kochs vocal drifting through the slow-building mix in a semi-entranced daze. lovers of classy deep house should no doubt find much to admire about breitbankaters three-tracker. go hunt, its good for you

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

crocosmia x sees dana ruh engaging with the sound of house. ramaria flava initiates a desperate groovy beat with clear and energetic vocals that open us out into peaktime. the track was made for us to dance! opuntia the bloomy intro of this ep comes with the voice of the artist yorba. calm and serene she tells us about her passion for rythm and sound while cumulatively the floor of funky house beats expands. the continuiation we find on the b-side is deep, dubby and clear. the beat wriggles around the hookline and here we have the track del sur. the sound of an organ goes ahead with different voices.

underground-enterprise sub bubble offer up this first and very promising release from new signings matt williams & bahar canca. the writing/ production duo behind the original instrumental >latek< have re-worked and re-named this underground monster into the diamond encrusted house-crossover (we hope) is now pounding your subs. by bringing in the vocal talents of one mrs. graciela rodriguez whos fans include bjork and adrian sherwood, canca & williams have harnessed the spanish fire of rodriguez and taken the track to the next levelà now with a feisty latino twist we are certain the mainstream is next to fall to the floor. dr kucho! the >indisputable king of spanish house< (dj mag) with over 200 releases under his belt brings a twisted vocal and dub slant on the tracks solid house credentials. funkin with the original and delivering a slab for the jocks n jock-etes to get their needles and dials round.

our pioneers on the intriguing austrian dubs frontier, return with this their second outing on wax - group niob, the collaborative work of both label heads gerhard potuznik and martin sovinz. >vector< continues further with exploratory mining into the oneforty bpm dubbed into technoid seam - its low end is devious and drills itself clean inside the synapses, mirages of dub cascading either side.

after his highly inspiring releases on detroits mathematicsa, quintessentials (uk) and yore (germany), marcello napoletano is back with another adventure into house music. again his unique way of keeping a detroit / chicago sound freshly alive comes neither from the beloved ghost town nor from windy city - marcello napoletanos source of deep madness is based in lecce, a small countrysided village in italy. from here he spreads his deepness all over the world, representing the 8th outstanding issue of laid records.

our search for real club music gems has led us to hamburg, where a young man and his nord modular has been attracting our attention for quite a while now: benjamin brunn.
at least since his workshop005 release, he has modulated his way straight in our hearts. unlike other artists, he knows how to let his synthesizers speak and tells us little stories, while always searching for new romanticfrequency ranges. so >my heart< tells us a story, from the in-ear adapter straight into the heart.

right in time for summer oslo presents us two promising talents from romania named noidoi. they fit perfectly into the exceptional talent round of oslo and let us hope on a hot summer. aprilli 9 on the a side is a classic piece with wonderful house chords, which kept the audience by his extraordinary sound. noidoi opens up on the b side with aprilli 6, a title with no less high quality. the sound is definite more electronic pronounced than on the a side. trebor, impulsive and at the same time groovie is ideally suited for the somewhat late hour and rounds the ep off with his deepen mood.

hideout presents the first collaboration with nyc producer manik, the harbin ep. four summer tracks that bring oldschool house vibes into the future. manik already had a great production year with labels such as ovum, poker flat, four twenty ...
here he delivers four killer tracks full of soul and deep vibes. >forge< is the ideal house track for endless summers, best experienced dancing on a beach with a mojito spilling from your hand. classy string break, bouncing latino vibes all that you need for a night by the pool. >harbin< reminds us of evenings spent at the beach with its classy house chords and saxophone, while >peach tea< will quench your thirst of new music with subtle glide synths and atmospheres. >that is< finishes the ep with dry beats, detroit style stabs and 303 bleeps. in order to find more about manik , you can always check the brand new hideoutmusic.net web site, tap into the international hideout style detector and get to know the crew.

support: played by: loco dice, robert dietz, matthias tanzmann, richie hawtin, luna city express, mathias kaden, nick curly, dan drastic, wally lopez, josh wink, meat, jacuzzi boys, brothers vibe, someone else, david keno, andre crom... jamy wing returns with another 3-track scorer on sonido records. the young talent explores severeal influences of house music on this ep, starting with driving techouse bomb >take it<, uplifting oldschool chords on >i just s(talk)< and classic mellow deepness on >feel so good<. after a handful of well received releases and remixes and five star reviews wing will take another step into establishing himself as a serious artist û and tastemakers like mathias kaden already praised the work of the man from jena